Gabrielle Grady is a Features Writer for Collider. She graduated with a degree in Journalism with a minor in Art History in 2022. She enjoys writing about women in film, both in front of and behind ...

It's hard to deny that we're living at the height of the digital age and human innovation. On the surface, everything can seem shiny, new, and exciting. But you're not alone if you sense something off ...

Patrick Caoile is a freelance writer for Collider. While he calls New Jersey his home, he is now pursuing a Ph.D. in English--Creative Writing at the University of Louisiana at Lafayette. When he's ...

Dystopian fiction is hot. Sales of George Orwell’s 1984 and Margaret Atwood’s The Handmaid’s Tale have skyrocketed since 2016. Young adult dystopias — for example, Suzanne Collins’s The Hunger Games, ...

Dystopian futures are a classic plot in superhero comics, and especially at Marvel Comics. In the superhero universe where capes seem more like everyday people and the globe is primarily populated by ...

Writing over 30 years ago, feminist film scholar E. Ann Kaplan famously described mothers in cinema as “an absent presence” – background figures that might facilitate the narrative but who are rarely, ...