For the modern American reader, few lines in French literature are as famous as the opening of Albert Camus’s “L’Étranger”: “Aujourd’hui, maman est morte.” Nitty-gritty tense issues aside, the first ...
Until now there has been no significant British stage version of the short and philosophically challenging novel L'Étranger (The Outsider). But Booker Prize-winner Ben Okri has transformed Albert ...
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