When Coralie Fargeat's horror-comedy The Substance premiered in Cannes this year it nearly brought the house down, which is not easily done in the concrete bunker that is the misleadingly titled ...

While Cannes has long underserved female filmmakers, the success of 'Anatomy of a Fall' and 'The Substance' might have just ...

The second feature from writer and director Mascha Schilinski portrays four generations of young women living in the same ...

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“Cinema is the art of illusion,” “The Substance” director Coralie Fargeat says. “There’s a thrill in filming scenes where they’re not ‘supposed’ to happen—that’s part of the creative game. Stepping ...

Indeed, as recognition of French expertise reaches new heights — highlighted by the recent Oscar wins for the music of ...

Coralie Fargeat’s body horror film is a bombastic ... her own reflection is more and more dissatisfying in comparison. The Substance is not without flaws itself. It can feel clunky and has ...

TheWrap magazine: Playing an aging star at war with herself in Coralie Fargeat’s body-horror film allowed Moore to explore layers of self-judgement — and earn her first Oscar nomination ...

With the surprise crossover success of Coralie Fargeat’s Cannes body-horror hit The Substance last year, there was a lot of blather about how the Academy was finally ready to cozy up to genre films.