Each year Rhizome partners with NEW INC on its Art & Code track, a year-long program designed to help artists realize or ...

In recognition of our shared commitment to computer art history, Mastera (M) will be a co-hosting partner for Rhizome’s 30th ...

Rhizome champions born-digital art and culture through commissions, exhibitions, scholarship, and digital preservation.

At this very moment, countless dicks compete for your attention. Some archived and waiting to be accessed through the same internet search tools you use to find new restaurants, some directed at you ...

Mendi + Keith Obadike are 2011 Rhizome Commissions winners for their proposal, African Metropole: Sonic City Lagos. Many of your pieces are concerned with race and identity and confront those issues ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

Rhizome and Electronic Arts Intermix (EAI) are teaming up with Canyon—a major new venue for media art opening on New York’s Lower East Side in 2026—to develop joint programming and expand public ...

In this third segment of our genealogy we begin to form a connection, and to examine those lesser-known but foundational figures that radiate out from Turing's early work. Perhaps appropriately, given ...

Martine Syms, film still produced for the cover of Most Days (2014). LP. Mixed Media Recordings, Brooklyn. The undersigned, being alternately pissed off and bored, need a means of speculation and ...

Pete Jiadong Qiang, Queer Maximalism HyperBody (2020). Game level Pinkray, Pinkray plush dolls, VR gameplay screenshot. Courtesy of the artist and CheeseTalk. The latest in a series of interviews with ...

For nearly 30 years, Rhizome has supported digital art that has helped to shape contemporary conversations about technology and culture. In an era of platform monopolies, algorithmic manipulation, and ...

As Slavoj Žižek and others have argued, the credit sequences designed by Saul Bass for Alfred Hitchcock's unofficial trilogy of late masterpieces—Vertigo (1958), North by Northwest (1959) and Psycho ...