Last month, Cornell answered a series of questions about his career, including his methods and what art means to him. His takes are fascinating, and – very much like his compositions – are truly one ...

Oblique sees Fielder cover yet more new ground in what is his most compelling work yet. The sonic contrasts, Oblique ’s greatest boon in what is subtly immersive and bone-shattering. It’s something ...

Emma Ruth Rundle is in a buoyant mood at the end of our conversation last Friday evening. The Portland-based multi-disciplinary, speaking passionately about a DIY underground noise show she attended ...

And to be honest, while this feature is more designed for voices who are either stuck or choose to work in the shadows, sometimes big albums need some recognition. Morby isn’t afraid to share his ...

The only surprise about the new collaboration between Bonner Kramer and Thurston Moore is that it hasn’t happened sooner. Will music made by two underground veterans change that? Probably not, but for ...

On their latest release, the Cincinnati band deliver a tour-de-force.

“Like an unexplained cactus in New England / We all want a life we can’t sustain,” sings Stephen Pierce on Whatever’s Left Pt. II: A Cactus in New England – the closing song to Gold Dust’s latest ...

Amée Chanter and Thomas Close talk us through their debut LP. Thomas Close: “Video is dog-based. All good music videos have to have a dog in them. Drum wise I was listening to a lot of the band ...

Sun 13: I Knew Buffalo Bill is a unique and haunting record. What was it like working with Rowland S Howard, Nikki Sudden and Epic Soundtracks? Jeremy Gluck: “I am happy to be able to say that in ...