Vladimir Belogolovsky examines the role of Fukuoka’s ACROS centre, designed by Emilio Ambasz, as an excellent prototype for our urban and inevitably green future.

Trans artist Cassils' conceptual work of art called PISSED, a tank of glowing urine to protest against the then Trump administration, has been acquired by Leslie-Lohman Museum of Art.

Founded in 2017 by design curator and strategist Tanvi Karia as a cross-disciplinary platform, Raw Collaborative aims to connect contemporary craft and material innovation across the fields of ...

The design industry, it seems—after decades of treating cultural and historic knowledge systems as irrelevant or constrictive—is now looking in the rearview mirror, perhaps in the hopes of identifying ...

Nestled in the convergence of culture, nature, and the dainty architectural blend of new-age modernism and classicism of Mairangi Bay, the Kakapo Creek Children's Garden embraces the idea of Nga Hau E ...

Set in Chuchot, in the Leh district, Gulzar’s House's reinterpreted program manifests vernacular sensibilities and an aesthetic without a distinct reverence for time or style.

First released in 1976, Piercy’s feminist science fiction novel reimagined an alternate future with redesigned structures of gender, family, work and class, and, nearly five decades later, as women ...

Details Royal Enfield Social Mission’s Journeying Across The Himalayas is back for its third edition from 3 to 9 December 2026, turning Delhi into a living Himalayan landscape, with art, music, dance, ...

Details Shoreditch Design Week takes place from 15–20 September, transforming one of London’s most creative neighbourhoods into the largest official design district of the London Design Festival. More ...

Providing an in depth analysis of Neo-Tokyo’s urbanscape as well as a host of other iconic settings from anime films, Anime Architecture: Imagined Worlds and Endless Megacities, authored by Berlin ...

STIRred 2024: Creative responses to war and conflict reflected contemporary realities in 2024, as STIR’s archive demonstrates.

Marta Foresti continues the Collective's enduring exploration of the costs, difficulties and racial biases effacing visa acquisition for the EU at the Prada Frames symposium, Milan.