With America not only spinning out of control but threatening to take the rest of the world with it, the Cannes Film Festival ...

The Cannes Film Festival kicked off its 78th edition with the Opening Ceremony and the world premiere of Amélie Bonnin’s ...

From Michel Gondry to Juliette Armanet, "Leave One Day" director Amelie Bonnin shares the influences that inspired her Cannes ...

Curiously, “Leave One Day” also bucks that trend, heralding a director with only a few shorts to her name and a cast bereft of recognizable faces. Turn on French radio, however, and you’ll ...

In short, “Leave One Day” isn’t the movie you show after an opening ceremony where Quentin Tarantino has just bellowed that the festival has begun before literally dropping a mic, or where Robert De ...

Opening Cannes, like closing it, has traditionally been a poisoned chalice. The festival has tried a few moves to address the latter, mostly predicated on the fact that, by the end of nearly two ...

First-time director Amélie Bonnin attempts to keep the tradition alive in Leave One Day (Partir Un Jour), a gritty small-town dramedy in which, every so often, people start singing and gyrating.

Amélie Bonnin’s Leave One Day may feature a dozen song-and-dance numbers but, its maker insists, “It’s not a musical. “It’s a film with songs inside of it, she continues. “It’s a ...

“Leave One Day,” Amélie Bonnin’s feature film that opened the Cannes Film Festival on Tuesday evening, is an unusual film for a Cannes opener in several ways. It’s a musical, only the ...

The auteur behind this year’s Cannes Film Festival opener “Leave One Day” had already field-tested the concept of a modern jukebox musical with her César-winning short “Bye Bye,” but ...