Running time: 109 minutes. R (language throughout, drug use, brief nudity, some violence). In theaters. Just when you thought NYC crime thrillers had run out of new ideas, here comes “Tuner,” a ...
For anyone who thinks they don’t make them like they used to, say hello to “Tuner,” a beautifully calibrated crime-romance with shades of “Thief” and “Good Will Hunting” and a terrific star turn from ...
For anyone who thinks they don’t make them like they used to, say hello to “Tuner,” a beautifully made crime romance with shades of “Thief” and “Good Will Hunting,” with a terrific star turn from Leo ...
Here is an old-school thriller – the sort they don’t make any more – that makes cunning use of two fine actors born 59 years apart. Leo Woodall, so good in The White Lotus and Nuremburg, plays Niki, ...
A thriller about a good listener and a reboot of a classic comedy that improves on the original top our roundup this week. Related Articles Review: ‘Toy Story 5’ plugs right in to Pixar’s ...
“Tuner” executes one audience-pleasing plot device too many, and the end result is infuriating. This is film so chock full of clichés that it plays like a montage of genres. It’s a heist movie, a ...
Tuner is Leo Woodall’s first leading movie role—and something of a pivot. Known for playing men defined by their inscrutability—Jack in The White Lotus; the boyish object of Rachel Weisz’s desire in ...
For his narrative feature debut, Roher shadowed a man who tunes pianos for a living, and came up with the idea of a movie that is part 'Good Will Hunting,' part crime thriller. By Brian Davids Writer ...
The 'White Lotus' star plays a piano tuner with a hearing problem, with Hoffman as his ailing mentor, in 'Navalny' director Daniel Roher's first narrative film. By Stephen Farber Few directors of ...
Leo Woodall shines in this somewhat odd but vibrant movie about a piano tuner with a rare and excruciating condition who begins to break bad. By Brandon Yu When you purchase a ticket for an ...
In “Tuner,” a former musician turned safecracker has painful hyperacusis. For him, it’s a hidden talent. Here’s what it’s really like. By Joyce Cohen A few days after my noise injury — I usually call ...