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New scene: the incarcerated journalist shares her painstaking journey to teach herself screenwriting in prison ...
Erika Balsom is a reader in film studies at King’s College London and the co-editor of Feminist Worldmaking and the Moving ...
Walks beside me: an inclusive, elastic understanding of modern queer lives emerges across Dag Johan ...
Film Comment hosted the author Malcolm Harris for a special event celebrating the launch of his latest book, What’s Left: ...
By Richard T. Jameson in the July-August 1980 Issue T he author, who expressed his gratitude to Kathleen Murphy for her contribution to this article, has taken the liberty of discussing scenes that ...
The wallpaper of the living room of the flat Genevieve and her mother live in reverses this — broad green stripes interspersed with narrow pink ones. In one scene the mother is set against this ...
By Chuck Stephens in the March-April 2000 Issue Monte Hellman makes Westerns. He’s made them again and again. He’s made them in Utah and he’s made them in Europe; he’s made them with horses and he’s ...
The results are in for our 2022 poll of Film Comment’ s contributors! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from our critics, as well as ...
“There are many ways in which Zama, [Lucrecia] Martel’s first feature in nine years, represents a departure for the Argentine writer-director,” I wrote in “When All Is Lost,” my September/October 2017 ...
It’s all over. Well, not quite, but the 2010s did come to an end on a note of pessimism about the world, and one of resignation about the film industry’s consolidation and glut of choice. At the same ...
Very careful, and very open. Those attitudes marked both Scorsese’s ballsy adaptation of the Nikos Kazantzakis novel and his conversation with me, a week after The Last Temptation ’s opening. ABC News ...
The results are in for our 2021 poll of Film Comment’ s contributors and colleagues! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from critics, as ...
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